Eugene Richards, photographer, writer, and filmmaker, was born in Dorchester, Massachusetts in 1944. After graduating from Northeastern University with a degree in English, he studied photography with Minor White. In 1968, he joined VISTA, Volunteers in Service to America, a government program established as an arm of the so-called” War on Poverty.”  Following a year and a half in eastern Arkansas, Richards helped found a social service organization and a community newspaper, Many Voices, which reported on black political action as well as the Ku Klux Klan.  Photographs he made during these four years were published in his first monograph, Few Comforts or Surprises: The Arkansas Delta.

Upon returning to Dorchester, Richards began to document the changing, racially diverse neighborhood where he was born.  After being invited to join Magnum Photos in 1978, he worked increasingly as a freelance magazine photographer, undertaking assignments on such diverse topics as the American family, drug addiction, emergency medicine, pediatric AIDS, aging and death in America.  In 1992, he directed and shot Cocaine True, Cocaine Blue, the first of seven short films he would eventually make.

Eugene Richards has authored sixteen books and his photographs have been collected into three comprehensive monographs. Exploding Into Life, which chronicles his first wife Dorothea Lynch’s struggle with breast cancer, received Nikon's Book of the Year award.  For Below The Line: Living Poor in America, his documentation of urban and rural poverty, Richards received an Infinity Award from the International Center of Photography. The Knife & Gun Club: Scenes from an Emergency Room received an Award of Excellence from the American College of Emergency Physicians. Cocaine True, Cocaine Blue, an extensive reportorial on the effects of hardcore drug usage, received the Kraszna-Krausz Award for Photographic Innovation in Books. That same year, Americans We was the recipient of the International Center of Photography's Infinity Award for Best Photographic Book. In 2005, Pictures of the Year International chose The Fat Baby, an anthology of fifteen photographic essays, Best Book of the year. Richards’s most recent books include The Blue Room, a study of abandoned houses in rural America; War Is Personal, an assessment in words and pictures of the human consequences of the Iraq war; and Red Ball of a Sun Slipping Down, a remembrance of life on the Arkansas Delta.

Photograph © Jocelyn Bain Hogg

Photograph © Jocelyn Bain Hogg

CONTACT
Eugene Richards
472 13th Street
Brooklyn, NY 11215
eugenerichardsphotography@gmail.com
(917) 968-9405
 

GALLERY REPRESENTATION
Steven Daiter Gallery
Lucas Zenk
lucas@stephendaitergallery.com
230 W. Superior
Chicago, IL 60654
(312) 787-3350

SELECTED AWARDS & HONORS

Lyndhurst Prize
Lifetime Achievement Visa d'or Award
Robert F. Kennedy Lifetime Achiement Journalism Award
Missouri Honor Medal
Gahan Lectureship, Harvard University
National Geographic Magazine Grant
Getty Images Grant
POYi Magazine Photographer of the Year
World Press Photo

Guggenheim Fellowship
W. Eugene Smith Memorial Award
National Endowment for the Arts Grants
International Center of Photography Infinity Awards
Kraszna-Krausz Book Award
Leica Medal of Excellence
Leica Oskar Barnack Award
Olivier Rebbot Award
Amnesty International Media Award
 

SELECTED PHOTOGRAPHIC COLLECTIONS

International Center of Photography
Harvard Art Museum / Fogg Museum
Smithsonian American Art Museum
Los Angeles County Museum of Art
Nelson-Atkins Museum of Art
Addison Gallery of American Art
New York Public Library
Les Recontres d'Arles Photographie
Harry Ransom Center

Metropolitan Museum of Art
Museum of Modern Art
George Eastman Museum
Museum of Fine Arts, Boston
SFMOMA
Philadelphia Museum of Art
Museum of Fine Arts, Houston
Museum Folkwang
Centre Pompidou
Museum of the City of New York